Moonlight Over Paris edition by KA Minton SelfHelp eBooks
Download As PDF : Moonlight Over Paris edition by KA Minton SelfHelp eBooks 
"1994 New York City Long before American Idol hit
the airwaves, the way to a recording contract was the
Open Mic Circuit at the nite clubs in Manhattan.
From Café Wah to Chaz and Wilson’s to Nell’s, the
Circuit is jammed with talented singers – until one
young woman begins to separate herself from the
rest.
Meet Monique ‘Paris’ Stevens. She creates buzz with
her melodic fl ow and builds a large following where
ever she shows up to sing. Moonlight Over Paris is
Monique’s story, a Brooklynite by way of Chicago who
aspires to become a professional singer and recording
artist. By day she pays the bills working for a fi nancial
services company and is thriving there as well.
Her boss, Bill Russell is grooming her for a big
managerial position with the main offi ce, she would
be the fi rst African American and woman to do so,
which would be ground-breaking, to say the least. Bill
wants her to get the position he never could. Monique
will hear none of it because she is focused on singing.
Bill demeans her efforts telling her, ‘those singers are
a dime a dozen, you can tell by how many come out
for the Open Mic contests.’
Meanwhile the relationship with her ‘girlfriend’
Donna Owens is anything but cordial. Donna, a
clothing designer with her own boutique, isn’t happy
with just ruining her own business but has in mind to
ruin any chance of Monique reaching her goal. When
Monique discovers the level of hate Donna has for
her the outcome is tragic.
Maurice Stevens, Monique’s father, biggest supporter
and best friend dies unexpectedly, sending her world
into a tailspin. The multiple tragedies are more than
she can take. But in many tragedies come blessings,
thusly Moonlight Over Paris is founded."
Moonlight Over Paris edition by KA Minton SelfHelp eBooks
Monique Stevens is a singer who goes by the stage name "Paris". Quite the sheltered and pampered one, life changes drastically for Monique when her father dies from sudden cancerous remission, leaving her to deal with her own inner demons (rife with personal inadequacies and love lost), and whether or not to choose a dubious music career over personal happiness. This is pretty much the issue with K. A. Minton's precocious novel, Moonlight Over Paris.Monique is an ambitious 25 year old corporate account executive by day, and an aspiring singer by night. She is happy, driven, and confident that she'll eventually leave the corporate world for a much deserved and hard-earned music career with a major label. In the backdrop of this drama, Stevens surrounds herself with an interesting cache of friends, ones that eventually move Stevens to a necessary confrontation of what is important in her life and what is not. And Minton does a nice job of creating these peculiar characters:
Beverly: a cop trying to accept her sexuality.
Donna: has deep trust in self hate issues; suffered mental/physical abuse from former husband; has child out of rape with husband.
Nett: co-dependent and has toxic relationship with her sister. She has been unable to find a fulfilling relationship; sexually molested by her step-father. She continues path of self destruction with promiscuity and hardcore partying.
Roz: owns a successful hair salon, and is Monique's Angel of Mercy
Mrs. Owens: Nette and Donna's mother; she cannot come to grips with family issues and the emotional dilemmas which threatens to destroy her family.
But what does this all mean, and how does this eclectic mix of women situate themselves within the larger context of Minton's Novel. Moonlight Over Paris really isn't about the Monique and her aspirations to become a famous entertainer, but more about the complexities, hypocrisies, struggles, and daily challenges that (most) women face. Life. And, even more impressively, Minton doesn't limit the scope and possibility of this novel by couching its moral lessons in tired diatribes on race and class. Certainly these characters are African American women, but their stories transcend the point of race. Their stories are for multitude of women - any and everywhere - who could easily relate to any of these characters.
Equally impressive are the various relevant social/political/economic issues (which women face on a daily basis) that are represented (though not fully addressed) here: lesbianism, entrepreneurship, the pervading challenges of navigating the corporate world; rape, motherhood, sisterhood, friendship, molestation, motherhood, abuse, marital issues, self-hatred, sexism, Affirmative Action (which is not just about black folk), etc., Minton's novel deals with all of these important matters where women are concerned.
I find it difficult to trust that a novel of this genre will be worth the read, but Minton's novel is no disappointment. His writing is smooth, passionate, engaged, and has a certain craft of storytelling that is not commonly seen in this genre of writing - evocative of deep feminine sensibilities somewhat uncommon among African American male writers (of the same genre). As well, Minton does a fairly good job of titillating our senses with vivid imagery, sensual smells, and candid observations, bringing the reader into the fold of the moment. I especially appreciate his ability to provide us with almost 3-D like descriptions of place, space, and time:
"The salon is not basic by any means. Soft relaxing colors put patrons at ease. The waiting area has soft lounge chairs, TV, music, tea and aroma therapy. The smell of harsh chemicals is filtered out of this area to keep clients relaxed and happy while they wait.... The salon is soaked with smells of irons burning hair and hair relaxing chemicals all being tossed around by the wicker fans slowly turning above their heads...."
On the other hand, the golden "Push Rule" demands that no book is perfect. On that note, I was particularly perturbed by Minton's handling of lesbianism. At times he is cautious and gentle with Beverly's situation, but at other times he is condescending and abrasive. The following homophobic passage demonstrates the inhumane manner in which Minton animalizes lesbian sex, devalues lesbian passion, and dismisses gay love as predatory, sinister, and cunning:
"...it's like they can sense something is going on with me. Some conflict or something, these bitches are like dogs in heat.... At first they were just giving me looks now they're touching me inappropriately. It's like they feel my hurt and they want to be there for me."
Ironically, Beverly (quoted) comes full circle with her attraction to women, which ultimately makes the reader rethink the irony in the above statement. Is Minton suggesting that lesbians have conflicted issues of self hate? If so, perhaps he should have lingered more deeply with the issue.
Yet, Minton's novel is also about death. In order for these women to be borne they my first die off old ways of self-destructive behavior and thought in order to allow new possibilities to emerge. It isn't until the death of her beloved father, Maurice, that Monique's own life begins to emerge out of the shadows of her fearful past and uncertain regrets. In the end, just when we think Minton has left us hanging, these women do manage to find peace, resolution, and they overcome and triumph.
Push Nevahda Review
[...]
Push Nevahda and the Vicious Circle: scenes from a random life
Detroit:: The Black Bottom Community (Images of America)
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Moonlight Over Paris edition by KA Minton SelfHelp eBooks Reviews
I really enjoyed this novel, it's heart throbbing suspense and curiosity of what's going to happen next. I woul read it again and waiting for the sequel to come out!Keep up the good work Kev "K.A.Minton"!!!
Nothing but great expectations from this new author! Moonlight Over Paris is a wonderful read, I finished it in 2 days! Considering this was the debut novel for Minton, he did exceptionally well. Both the characters and storylines were very well developed and not predictable, keeping the reader anxious to know "what's next?". The exerpt from his next novel, By Their Fruits..., has me keeping my eyes on the calendar for its anticipated summer release! Can't wait!
I loved this book!!!!! I read this book in 2 days. It was very easy to get into the story and become one of the girls in the story. The relationships between the friends were so realistic, the drama, compassion, the dialogue, not a dull page in the book. I'm patiently awaiting part 2.
This being K.A. Mintons first effort, this was a well written book. I was really impressed with his style and the story line, it kept my attention and I couldn't wait to see what was going to happen next. One particular scene when the title character loses someone she loved very much and she is distraught, she was about to lose everything she lived for. You could feel her pain and you want her to succeed. It goes to show, when things in your life seem to be going all wrong God has a way of making things all right. I really enjoyed reading this book and K.A. Minton definately has a future in writing, I can't wait for his next effort.
In K.A. Minton's debut title, he introduces us to Paris and up and coming songstress with a voice that mesmerizes every audience who hears her. Her father is her biggest fan, followed by her hairstylist best friend, Roxanne. Follow Paris as she reaches for the stars and navigates family tragedy and friend drama and even manages to find love along the way. Stay tuned for the steamy love scenes the heat the pages!!!
Monique Stevens is a singer who goes by the stage name "Paris". Quite the sheltered and pampered one, life changes drastically for Monique when her father dies from sudden cancerous remission, leaving her to deal with her own inner demons (rife with personal inadequacies and love lost), and whether or not to choose a dubious music career over personal happiness. This is pretty much the issue with K. A. Minton's precocious novel, Moonlight Over Paris.
Monique is an ambitious 25 year old corporate account executive by day, and an aspiring singer by night. She is happy, driven, and confident that she'll eventually leave the corporate world for a much deserved and hard-earned music career with a major label. In the backdrop of this drama, Stevens surrounds herself with an interesting cache of friends, ones that eventually move Stevens to a necessary confrontation of what is important in her life and what is not. And Minton does a nice job of creating these peculiar characters
Beverly a cop trying to accept her sexuality.
Donna has deep trust in self hate issues; suffered mental/physical abuse from former husband; has child out of rape with husband.
Nett co-dependent and has toxic relationship with her sister. She has been unable to find a fulfilling relationship; sexually molested by her step-father. She continues path of self destruction with promiscuity and hardcore partying.
Roz owns a successful hair salon, and is Monique's Angel of Mercy
Mrs. Owens Nette and Donna's mother; she cannot come to grips with family issues and the emotional dilemmas which threatens to destroy her family.
But what does this all mean, and how does this eclectic mix of women situate themselves within the larger context of Minton's Novel. Moonlight Over Paris really isn't about the Monique and her aspirations to become a famous entertainer, but more about the complexities, hypocrisies, struggles, and daily challenges that (most) women face. Life. And, even more impressively, Minton doesn't limit the scope and possibility of this novel by couching its moral lessons in tired diatribes on race and class. Certainly these characters are African American women, but their stories transcend the point of race. Their stories are for multitude of women - any and everywhere - who could easily relate to any of these characters.
Equally impressive are the various relevant social/political/economic issues (which women face on a daily basis) that are represented (though not fully addressed) here lesbianism, entrepreneurship, the pervading challenges of navigating the corporate world; rape, motherhood, sisterhood, friendship, molestation, motherhood, abuse, marital issues, self-hatred, sexism, Affirmative Action (which is not just about black folk), etc., Minton's novel deals with all of these important matters where women are concerned.
I find it difficult to trust that a novel of this genre will be worth the read, but Minton's novel is no disappointment. His writing is smooth, passionate, engaged, and has a certain craft of storytelling that is not commonly seen in this genre of writing - evocative of deep feminine sensibilities somewhat uncommon among African American male writers (of the same genre). As well, Minton does a fairly good job of titillating our senses with vivid imagery, sensual smells, and candid observations, bringing the reader into the fold of the moment. I especially appreciate his ability to provide us with almost 3-D like descriptions of place, space, and time
"The salon is not basic by any means. Soft relaxing colors put patrons at ease. The waiting area has soft lounge chairs, TV, music, tea and aroma therapy. The smell of harsh chemicals is filtered out of this area to keep clients relaxed and happy while they wait.... The salon is soaked with smells of irons burning hair and hair relaxing chemicals all being tossed around by the wicker fans slowly turning above their heads...."
On the other hand, the golden "Push Rule" demands that no book is perfect. On that note, I was particularly perturbed by Minton's handling of lesbianism. At times he is cautious and gentle with Beverly's situation, but at other times he is condescending and abrasive. The following homophobic passage demonstrates the inhumane manner in which Minton animalizes lesbian sex, devalues lesbian passion, and dismisses gay love as predatory, sinister, and cunning
"...it's like they can sense something is going on with me. Some conflict or something, these bitches are like dogs in heat.... At first they were just giving me looks now they're touching me inappropriately. It's like they feel my hurt and they want to be there for me."
Ironically, Beverly (quoted) comes full circle with her attraction to women, which ultimately makes the reader rethink the irony in the above statement. Is Minton suggesting that lesbians have conflicted issues of self hate? If so, perhaps he should have lingered more deeply with the issue.
Yet, Minton's novel is also about death. In order for these women to be borne they my first die off old ways of self-destructive behavior and thought in order to allow new possibilities to emerge. It isn't until the death of her beloved father, Maurice, that Monique's own life begins to emerge out of the shadows of her fearful past and uncertain regrets. In the end, just when we think Minton has left us hanging, these women do manage to find peace, resolution, and they overcome and triumph.
Push Nevahda Review
[...]
Push Nevahda and the Vicious Circle scenes from a random life
Detroit The Black Bottom Community (Images of America)
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